On Christmas eve, all of the citizens of the small town of Bedford Falls pray to the heavens to help George Bailey. It's then decided that Clarence, an angel who hasn't earned his wings, is to help George. Before he does, he should know who George Bailey was. George Bailey grew up in Bedford Falls, a small town where he dreams of leaving it and making his mark on the world. His family's business is the only thing stands between the good citizens and Mr. Potter, a rich miser who takes sick pleasure in taking from everybody, without even caring how it affects them. George was all set to leave when his father died and had to take care of the business. George would forever be hindered by his plans to leave and thinks that he is nothing but a failure, he decides to kill himself. That's when Clarence comes in and tries to convince him that he has made something with his life, and that he had a "Wonderful Life".
This time, Indy is on a perilous hunt for the Holy Grail. He's not alone, either. Joining Junior—uh, Indy—is none other than his cantankerous dad. Father and son have rarely seen eye to eye. But if the adventure they share can't bridge the generation gap, nothing can. It can. It does. Also a brief glimpse into the life of Indy as an adolescent which reveals how the fedora, the bull whip, and the ophidiophobia (fear of snakes) became part of Indy lore.
Based on Truman Capote's novel, the powerful crime drama relates a true story of the gruesome murder of an entire family in the rural town of Holcomb, Kansas. Ex-cons and homeless drifters, Perry Smith (Robert Blake) and Richard Hickock (Scott Wilson) learn from their inmate that the Clutters keep $10,000 in a safe in their farmhouse. After breaking in the house and finding no money, the criminals torture and brutally kill Mr. (John McLiam) and Ms. Clutter (Ruth Storey) and their two teenage kids. Perry and Dick leave the crime scene with only $43 and flee to Mexico, but they eventually return to the United States. The murderers make the mistake of cashing bad checks and end up arrested and sentenced to death.
This fact-based drama concerns Christopher McCandless (Emile Hirsch), a bright 22-year-old man with a promising future. But shortly after graduating from Atlanta's Emory University, the freedom-loving adventure seeker decides to give up his privileged life and go to live in the wilderness. He donates his $24,000 savings account to charity, changes his name to Alexander Supertramp and hitchhikes to Alaska, wearing only a thin coat and having neither compass nor map. Four months later, the man is found dead...
Tony Stark is the complete playboy who also happens to be an engineering genius. While in Afghanistan demonstrating a new missile he's captured and wounded. His captors want him to assemble a missile for them but instead he creates an armored suit and a means to prevent his death from the shrapnel left in his chest by the attack. He uses the armored suit to escape. Back in the U.S. he announces his company will cease making weapons and he begins work on an updated armored suit only to find that Obadiah Stane, his second in command at Stark industries has been selling Stark weapons to the insurgents. He uses his new suit to return to Afghanistan to destroy the arms and then to stop Shane from misusing his research.
Six incarnations of Bob Dylan: an actor, a folk singer, an electrified troubadour, Rimbaud, Billy the Kid, and Woody Guthrie. Put Dylan's music behind their adventures, soliloquies, interviews, marriage, and infidelity. Recreate 1960s documentaries in black and white. Put each at a crossroads, the artist becoming someone else. Jack, the son of Ramblin' Jack Elliott, finds Jesus; handsome Robbie falls in love then abandons Claire. Woody, a lad escaped from foster care, hobos the U.S. singing; Billy awakes in a valley threatened by a six-lane highway; Rimbaud talks. Jude, booed at Newport when he goes electric, fences with reporters, pundits, and fans. He won't be classified.
Bruges, the most well-preserved medieval city in the whole of Belgium, is a welcoming destination for travellers from all over the world. But for hit men Ray and Ken, it could be their final destination; a difficult job has resulted in the pair being ordered right before Christmas by their London boss Harry to go and cool their heels in the storybook Flemish city for a couple of weeks. Very much out of place amidst the gothic architecture, canals, and cobbled streets, the two hit men fill their days living the lives of tourists. Ray, still haunted by the bloodshed in London, hates the place, while Ken, even as he keeps a fatherly eye on Ray's often profanely funny exploits, finds his mind and soul being expanded by the beauty and serenity of the city. But the longer they stay waiting for Harry's call, the more surreal their experience becomes, as they find themselves in weird encounters with locals, tourists, violent medieval art, a dwarf American actor shooting a European art film, Dutch prostitutes, and a potential romance for Ray in the form of Chloë, who may have some dark secrets of her own. And when the call from Harry does finally come, Ken and Ray's vacation becomes a life-and-death struggle of darkly comic proportions and surprisingly emotional consequences.
During the Cold War, Soviet agents watch Professor Henry Jones when a young man brings him a coded message from an aged, demented colleague, Henry Oxley. Led by the brilliant Irina Spalko, the Soviets tail Jones and the young man, Mutt, to Peru. With Oxley's code, they find a legendary skull made of a single piece of quartz. If Jones can deliver the skull to its rightful place, all may be well; but if Irina takes it to its origin, she'll gain powers that could endanger the West. Aging professor and young buck join forces with a woman from Jones's past to face the dangers of the jungle, Russia, and the supernatural.
In 1958 residents of a small town in Maine witness a blinding flash and a huge flying object falling into the sea. A few days later a nine-year-old boy, Hogarth Hughes (Eli Marienthal), finds an enormous robot (Vin Diesel) sent from a distant galaxy to destroy Earth. The alien visitor loses its memory due to serious damage and proves to be a gentle, ingenuous, amiable guy who makes friends with Hogarth. Hearing about the Iron Giant, Kent Mansley (Christopher McDonald), an ambitious government agent wishing to distinguish himself, arrives in Rockwell to mouse out and destroy the robot. But the fearless little boy is ready to take any risk in order to protect his metal pal against the Army, Air Force, Navy and Marines and hides him in the junkyard.
In an indictment of the British Boys School, we follow Mick and his mostly younger friends through a series of indignities and occasionally abuse as any fond feelings toward these schools are destroyed. When Mick and his friends rebel, violently, the catch phrase, "which side would you be on" becomes quite stark.
Neal Oliver (James Marsden) is about to leave his intentions to earn a law degree for an art career; he meets an immortal supernatural being named One Wish Grant (Gary Oldman) who looks like an inveterate trickster and directs clarity-seeking Oliver right to the immense spaces of the non-existing Interstate 60. Oldman's eccentric character grants wishes to the people who deserved such benefit, and Neal takes a chance to find the girl whom he has seen in his dreams; she smiles from every billboard of the Interstate 60 roadside, the road where everything is possible as every wish could be easily fulfilled. Should one be afraid of his desires or this is the road to hell?
A Denzel Washington's tough cop struggles against a perfectionist bank robber Dalton (Clive Owen). Four people dressed in painters' outfits march into the busy lobby of Manhattan Trust, a cornerstone Wall Street Branch of a worldwide financial institution. Within seconds, the costumed robbers place the bank under a well-planned siege, and the people inside become unwitting pawns in an airtight robbery. The bank president (Christopher Plummer) is having something to protect so he has requested the services of high-profile negotiator Madeline White (Foster) who turns the situation to be even more unstable.
When Hank Deerfield is told by the military that his son Mike, who only recently returned from a tour of duty in Iraq, has gone AWOL he travels to the military base to see if he can make any sense of the young man's disappearance. Hank is himself a retired military investigator and is frustrated by both the military and the civilian police's apparent lack of interest in the case. In the end he does manage to get help from Det. Emily Sanders and together they piece together the events that led to Mike's disappearance. In the end, this is a story of how war dehumanizes individuals to the point where the taking of life makes no sense and has no purpose
In Search of a Midnight Kiss is a rollicking comic ride and tender journey though love, sex, and modern romance in Los Angeles on New Year's Eve. Wilson (Scoot McNairy), a twenty-nine-year old guy who has just had the worst year of his life, is new to Los Angeles, has no date, no concrete plans and every intention of locking the doors and forgetting the last year ever happened. That is until his best friend, Jacob (Brian McGuire), browbeats him into posting a personal ad on Craig's List. When Vivian (Sara Simmonds), a strong-willed woman hell bent on being with the right guy at the stroke of midnight responds, a chaotic, sometimes hilarious, sometimes touching journey through the black and white streets of L.A. begins. In the waning hours of the year, emotional vulnerability and bitterly honest humor seem to be waiting around every corner.
A cure is in reach for the world's most primal force of fury: THE INCREDIBLE HULK. We find scientist Bruce Banner, living in shadows, scouring the planet for an antidote. But the warmongers who dream of abusing his powers won't leave him alone, nor will his need to be with the only woman he has ever loved, Betty Ross. Upon returning to civilization, our brilliant doctor is ruthlessly pursued by The Abomination — a nightmarish beast of pure adrenaline and aggression whose powers match The Hulk's own. A fight of comic-book proportions ensues as Banner must call upon the hero within to rescue New York City from total destruction. One scientist must make an agonizing final choice — accept a peaceful life as Bruce Banner or the creature he could permanently become: THE INCREDIBLE HULK.
Somewhere in the desert. A car speeds like crazy along the roads. Suddenly, the driver loses control and sails off a cliff. Four other vehicles are near, they stop to help. The dying man narrates the drivers of a fortune in cash, $350,000, which he has hidden below a giant "W" in Santa Rosita, some 200 miles away. The four drivers and their respective passengers can't decide on how to share the future fortune, and suddenly a wild race to Santa Rosita develops. While one party manages to rent a plane (from 1916), the others face different problems like tire damage, untrustworthy lifts, deep water, drunken millionaires, a British adventurer, little girl's bicycles, and last but far not least a mother-in-law from hell and her imbecile son. While the folks slowly travel towards the goal, they are being watched. Who ever said that nobody else knew about the fortune?
The mystery thriller tells two stories. Caught up in a nasty rainstorm, ten strangers have to spend the night at an old motel in a godforsaken small town. Among the travellers are parents (Leila Kenzle and John C. McGinley) with a young son (Bret Loehr); a cop (Ray Liotta) transporting a convict (Jake Busey); a limousine driver (John Cusack); a movie star (Rebecca De Mornay); a young couple (Clea DuVall and William Lee Scott); and a call girl (Amanda Peet). Relief in taking shelter is quickly replaced with fear as they realize that they are entrapped. One by one the lodgers begin dying a violent death in a mysterious way; nevertheless, they can’t figure out the cold-blooded and sofisticated murderer. It becomes obvious that their arrival at the motel is no coincidence. Each of the stranded travellers has a sin on his conscience, therefore, it's high time for retribution. eanwhile, elsewhere, at an emergency midnight sitting of the court, Dr. Malick (Alfred Molina) tries to convince Judge Taylor (Holmes Osborne) that Malcolm Rivers (Pruitt Taylor Vince), a serial killer sentenced to death is, in fact, insane and irresponsible for his actions. How can these two events be related?
In the detective thriller, Truman Capote (Toby Jones), a famous writer for The New Yorker, reads a brief story about the brutal and senseless murders of four members of a farm family in Holcomb, Kansas. Intrigued by the story, he and his assistant and fellow writer, Nelle Harper Lee (Sandra Bullock), set out for Kansas to research the horrific case for an article. The deeper Capote digs into the story, the more convinced he becomes that it is too big for just an article, and he decides to write a modern non-fiction novel about the murders and suspects. In doing so, he creates his famous work, "In Cold Blood," but he has to pay too big a price for his success.
Sam Dawson has the mental capacity of a 7-year-old. He works at a Starbucks and is obsessed with the Beatles. He has a daughter with a homeless woman; she abandons them as soon as they leave the hospital. He names his daughter Lucy Diamond (after the Beatles song), and raises her. But as she reaches age 7 herself, Sam's limitations start to become a problem at school; she's intentionally holding back to avoid looking smarter than him. The authorities take her away, and Sam shames high-priced lawyer Rita Harrison into taking his case pro bono. In the process, he teaches her a great deal about love, and whether it's really all you need.
In 1791, plantation owner Louis De Pointe Du Lac is unhappy with the life he has, until Lestat De Lioncourt comes into his life. Lestat, a vampire, allows Louis to make the decision of either death or life as a vampire forever. And until his decision is already made, does Louis realize what he has become. He refuses to take human life and is about to leave when Lestat, being the clever being that he is, turns a little orphan girl into a vampire to make Louis stay. The story is told by Louis in 1991 to an interviewer about the lives of himself, Lestat and Claudia through trouble, death, curse and love over the past 200 years.
